Showing posts with label cinematic thanksgiving. Show all posts
Showing posts with label cinematic thanksgiving. Show all posts

Sunday, November 27, 2011

A Cinematic Thanksgiving

Ah, winter. 'Tis the season for wearing hats, buying cough syrup and lapsing into extended turkey comas. It's also the time to reflect on things that make us happy. In my case, it's movies in which Gary Cooper is in some way connected to Quakerism or where all of the film's conflicts can be tied up neatly in a catchy dance number. To celebrate the oncoming festivities, I decided to make a list (in no particular order) of things and scenes and people and body parts in movies that bring me joy. I hope you enjoy this list and I would like you all to appreciate how hard it was to narrow it down to just these. I'm sure tonight I will wake up at three in the morning and remember something I missed.

So, without further ado:

1. Janus Films
For helping me get that question right in trivia the other night.
2. "Nevertheless," The African Queen
Katharine Hepburn and Humphrey Bogart are at their crusty best in this film, about an odd couple who chug down a river in Africa to blow up a Nazi cruiser. Their mission (spoilers), against incredible odds, sort-of-almost-succeeds and Hepburn finds herself washed up and taken into custody on the cruiser. "But you can't just come down here and blow up the Louisa!" splutters the German captain. Hepburn raises her head, juts out her chin , sticks up her nose and snips in that most Hepburn-y of ways, "Nevah-the-less." It always reminds me of my mum.

3. Cecil B. DeMille's Introduction to the Ten Commandments
 Nothing could have set the tone better for DeMille's epic of all epics than the director himself emerging from an epic fringed curtain, clinging to an epic standup microphone and explaining why the story of Moses is so epic. Also, a fun drinking game to try with this film is take a drink every time they say "Moses." Caution: It's three hours long. 

4. Lauren Bacall's Little Dance at the end of To Have and Have Not
Her little impromptu shimmy at the end of this number always makes me smile. No one can smolder like Bacall. Dance is at 0:33.

5. Paul Newman's Look
 Paul Newman frequently gives this look when women are attempting to resist his advances. 
Often (Suddenly Last Summer, Hud, for example) the look does not succeed. It's the artifice of movies, people. When he pulls this one out I'm just about ready to climb in through the TV.

6. The Dance Scene in The King and I
 Movie magic. 

7. The Jump in The Man From Snowy River
 Another reason why horse chases should count alongside some of the great car scenes. A group of men go after a herd of brumbies, and for it moment it looks like they've gotten away by leaping over the edge of a cliff, but there's one man brave enough to follow. (By the way, this jump is for real; if you look at the trees while the horse is going down the hill you can see that they're growing straight up.) Jump is around 2:10.

8. Your Father's Passing, To Kill a Mockingbird
 To Kill A Mockingbird is one of my favorite books and easily one of my favorite movies. This scene, in which Atticus Finch leaves the courtroom after fighting a losing battle against hatred, ignorance and prejudice in the old South, is still one of the most moving I have ever seen.

9. How Much Francois Truffaut Loved Film
  A big reason why I love Truffaut is because every time I watch his movies I can sense the man who made them. Day for Night was one of his most personal, and is basically a love letter to the movies. In this scene, a film director (Truffaut) completes a recurring dream that has been gradually filled out throughout the film. Did I cry when I watched this? Does Jean-Paul Belmondo have a great nose? Please.

10. Cary Grant's Acrobatics in Holiday
I knew that Cary Grant worked in a traveling circus, but when I saw this scene from Holiday it took me completely by surprise. This is what I love about Cary Grant: you can be dapper, you can be in full evening attire, but no situation is too formal for a back vault. (4:20)